本文的主要目的有二，其一是考察陶工們為營造胎和釉之對比呈色裝飾效果，所做的適得其所的努力和變通，在此一觀看角度之下，則中國陶瓷史上許多看似變化萬千的裝飾手法，其實只是不同瓷窯的陶工針對時尚趣味的一個素樸的回應方式罷了。另外，剔劃花是表現胎釉對比效果之最為簡便和普遍的技法，本文在觀察中國此類標本的基礎之上，對於伊朗所燒造類似裝飾陶瓷標本和中國的關係也進行了評估。

This paper serves two purposes. First, it investigates the efforts and alternatives potters have made to create the decorative effect of color contrast between clay body and glaze. Viewed from this perspective, many of the seemingly various decorative techniques in the history of Chinese ceramics are actually no more than the straightforward responses of the potters from different kilns to contemporary tastes. Second, as sgraffiato or cut-glaze technique is the most simple and common technique for contrasting colour effects of clay body and glaze, this paper uses the observations of this type of ceramic specimens from China as a basis to examine the relationship between China and the specimens of similar decorative ceramics produced in Iran.

宋代; 磁州窯; 黑剔花; 白剔花; 伊斯蘭陶器

Song dynasty; Tz’u-chou kilns; cut-glaze technique carving black slip sgraffiato designs on white slip; cut-glaze technique carving through white slip to expose the clay body; Islamic pottery