法國藝術家葛杭維以政治漫畫和文學繪本揚名於七月王朝，在他短暫悲劇的生涯，開創了大量的驚異圖像，引起褒貶不一的回應和多元的詮釋。本文以葛杭維的代表作《另一世界》（1843－1844）為焦點，探討奇幻變形和諷刺漫畫的藝術語言，如何映照浪漫主義自然史觀和社會文化。首先勾勒旅遊故事的梗概和木口版畫的風格，鋪陳當時遊記出版和「動物人狂熱」風潮，闡釋這部繪本的生成背景。此書喜感怪誕的混種圖像表現出擬人化動力，違抗了實證的知識論和分類法，衍生人類和萬物之間的邊界認同。本文亦檢視這部繪本和傅立葉社會主義的關聯，以及其中對於文化商品化和機械化的隱憂。《另一世界》以「批判的非寫實主義」之姿，具體而微地應答社會主義的挫敗和資本主義的茁壯。

French artist Jean-Jacques Grandville was celebrated for his political caricatures and literary illustrations in the July Monarchy. In his brief and tragic lifetime, he created a wealth of astonishing images that elicited admiration, criticism, and various interpretations. This paper focuses on his major work Un autre monde (1843-1844) which uses caricature and fantastic metamorphosis as artistic languages to illuminate the contemporaneous social condition and Romantic view of natural history. Its narrative content and stylistic traits of wood-engravings will first be analyzed and then placed in the context of travel literature and “animalomanie” flourishing at the time in order to elucidate the milieu of its production. The hybrid imagery crafted in the manner of comic grotesque subverts the positivist epistemology and classification, and emanates a strong dynamic of anthropomorphism. Metamorphosis brings about borderland identities between the human and non-human. This illustrated book is associated with Fourierist socialism and reveals an anxiety about the commodification and mechanization of culture. As a work of critical irrealism, Un autre monde articulates a sophisticated response to the decline of socialism and the growth of capitalist culture.

繪本; 浪漫主義; 自然史; 傅立葉主義; 諷刺畫

illustrated book; Romanticism; natural history; Fourierism; caricature