本文以越南的陶瓷器當中，模仿耀州窯系陶瓷器的青瓷作為主要分析對象。討論陶瓷器的仿製分析，有必要研究各窯的製作技術、窯體形制與燒成技術等層面。因此，本文首先說明得以確認為越南仿製耀州窯系陶瓷的各項製作技術，其次，比較越南所仿製的耀州窯系陶瓷與中國耀州窯系陶瓷之間的關連，提示越南陶瓷器在生產發展過程當中，可能受到中國陶瓷怎麼樣的影響？再者，確認同時代越南所生產具有相同圈足形制，但是與耀州窯系紋樣不同的一群陶瓷器，說明這些製品與廣西興安縣嚴關窯相類似。此外，本文從十一、十二世紀高明的製陶技術，指出中國人陶工移居的可能性，並且整體歸納分析越南陶瓷器的技術與紋樣特徵，包括作為越南獨特紋樣的蔓草葉紋與該紋樣的後世流行、疊燒技法、鐵泥與使用灰色土的理由等。

This article takes as its focus those Vietnamese celadons which imitate the ceramic objects produced at the Yao Zhou kilns. When discussing the analysis of imitation pottery products, a study of different kilns' productions techniques and the shape and structure of different kilns as well as different firing techniques must also be taken into consideration. Therefore, this article will first explain the various production techniques used in the creation of Vietnamese imitations of Yao Zhou kiln ceramic objects, and then will compare Yao Zhou kiln type pottery produced in Vietnam with pottery from the Chinese Yao Zhou kilns in order to show how Vietnamese pottery may have been influenced by Chinese pottery during the production development process. This article will also confirm that Vietnamese pottery produced at the same time as these Yao Zhou kiln imitations, which have rounded feet similar to Yao Zhou pottery, but possess different decorations, are, in fact, similar to ceramics created in the Yanguan kilns of Xingan county, Guangxi province. Additionally, this article will use the expert levels of ceramic skill evinced in the 11th and 12th century to point out the possible migration and resettlement of Chinese potters during this time, and it will, furthermore, undertake a complete analysis of Vietnamese pottery technique and design including analysis of the unique Vietnamese decoration style—the creeper-leaf line style—and this decoration's popularity, its overlapped firing technique, its iron rust glaze, the reasons for its use of gray clay, and other characteristics.

越南陶瓷; 耀州窯系陶瓷器; 廣西興安縣嚴關窯; 印花碗的製作技法; 李朝期; 陳朝期; Bai Ham Rong; Kim Lan遺跡; Den Tran遺跡; Bai Ha Lan遺跡

Vietnamese ceramics; Ceramic objects of the Yao Zhou kilns; Xingan County Guangxi Yanguan kilns; Production techniques for the flowerprinted bowl; Li Period; Chen Period; Bai Ham Rong; Kim Lan Remains, Den Tran Remains, Bai Ha Lan Remains