本文探討隋代長安地區的喪家等使用者吸取北齊鄴城傳統陶俑之樣式與組合的可能原因。除了回應先前研究，也拉長觀察時段，並擴及相關工藝品以觀察北朝末年到隋代的區域交流。值得注意的是，長安地區對鄴城地區特色的吸納並非隋代才開始，而鄴城的地區特色僅是長安地區吸納的對象之一，長安地區陶俑也只是吸取鄴城地區特色的眾工藝類型中的一項。隨著北朝末到隋的戰亂與建設，不少工藝樣式的觸及範圍擴大，並在各地受到改造創新，陶俑僅為其中之一，而這些變化和人與物移動頻繁與規模增加有關。

This article investigates the reasons why people in the Chang’an area appropriated the designs and assemblages of tomb figurines from the Ye area in Sui. It re-investigates the explanations given in previous studies, interpreting the changes from a longer time period and observing other artefacts which were related to tomb figurines, such as ceramic wares and Buddhist sculptures. The investigation shows that the Chang’an area appropriated regional designs of artefacts from the Ye area before the end of the 6th century. Chang’an appropriated designs not only from the Ye area but also from other areas, and the Ye designs were transmitted to the Chang’an area and then beyond. The Chang’an area did not just appropriate the designs of ceramic tomb figurines from Ye but also many other types of artefacts. From the end of the Northern Dynasties to the Sui, the frequent wars, new policies and new constructions intensified regional exchanges. The designs of many artefacts were transmitted to wider areas and many new designs were invented. The changes of forms of ceramic tomb figurines in the Chang’an area was one of the results of more people and objects travelling for greater distances and more frequently.

北周; 隋; 長安; 鄴城; 陶俑

Northern Zhou; Sui; the Chang’an area; the Ye area; ceramic tomb figurines